The best books to make you think about King Arthur

This book is the go-to for nearly everything you need to know about Arthurian legend. I use it and return to it time and time again to explore different elements of the Arthurian story. Not to mention, the history of Malory and the book itself are just as fascinating to me.

Writing at the end of the fifteenth century, Malory’s work was really the starting point for anything Arthurian–and even though I find the earlier works on Arthur’s history are just as enthralling. Any translation is fine, and many editions (I have about eight) have notes on different elements of Arthurian history and legend and where they may have originated. I have followed many such notes down multiple captivating paths.

More than any other source, Geoffrey of Monmouth’s book is responsible for our modern fascination with King Arthur. I read this for the first time at school and have returned to it again and again.

Written in Latin in the twelfth century, Monmouth claimed to have access to secret books that no other author had read–I found that intriguing all by itself. When he wrote, three of his exact contemporaries were also writing works on King Arthur, and there seems to have been a literary ‘Arthur business’ in the 1130s–why? (It was a period of great disruption in England, and she may have needed a new savior!). Although he goes way beyond the realms of history, I still find Geoffrey charming and inspiring.

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

I love all things Arthuriana, including the many, many times he has been shown on film. This book covers many aspects of how Arthur has been put on screen in fifteen chapters by different scholars. One of the great things about a volume of edited papers like this is that there is still room for you to think about another aspect of the subject not covered inside.

I have been inspired to write several articles based on noticing just such a hole–and of course, coming out in 1991, there have been a plethora of Arthur films and all the interesting points they bring up that this book does not cover. I think reading about film is a fabulous way to look at things with fresh eyes.

Even richer than the tradition of Arthurian films are musical adaptations of King Arthur, stretching back, at least, to the seventeenth century. As it says on the lid, this book explores how King Arthur has been approached in the wide realm of music. I love operas, musicals, and orchestral music, and Arthur is a consistent subject and theme.

Whether Camelot or Spamalot, putting Arthur’s story on stage or to music brings out aspects of his story that words or images alone cannot, and the musical Arthurs are some of the most nuanced versions of the man. I’ve returned to this book and the works it explores many times–often writing about Arthur myself while listening to music about him or featuring him.